This year has seen a glut of mirrorless concise scheme cameras (CSCs) being released from the figure of the top manufacturers. With a chain of CSCs in all deportment of shapes and sizes on offer, the market is unbelievably combative.
These highly varied interchangeable lense cameras specified as the Olimbos PEN E-P3, Sony NEX-5N and Samsung NX200 are disorderly to split off rivals in the CSC, innovative clayey and entry-level DSLR categories.
To that end, Panasonic's last mould - the Lumix DMC-GX1 - enters the fret with all guns open. In addition to heading features that permit Untasted HD movie recording, a 3-inch touchscreen and a tasteful all-metal embody, the new camera sports a 16MP Four Thirds Resilient MOS sensor (CMOS).
Size-wise this sits in between your cipher small packed device and larger DSLR (APS-C info) equal.
Compared to a motorcar sensor, the Panasonic Lumix DMC-GX1's 17.3 x 13.0mm gift provides compass for large pixels, theoretically sanctioning the camera to produce change property images coverall, peculiarly in low shallow.
Aimed at modern enthusiasts, the Panasonic Lumix DMC-GX1 is designed to material the vacuum leftist by the acclaimed Lumix DMC-GF1, which sported a plane of exercise functionality that photographers missed with the later launches of replacements; the Lumix GF2 and Lumix GF3. Could the flagship help of Panasonic's kind new GX broadcast be the human G-system camera to familiar?
At the temperament of the Panasonic Lumix DMC-GX1 beatniks the corresponding 16MP Foursome Thirds Smouldering MOS device that was unified into the Panasonic G3, along with Panasonic's innovative Venus Engine VII HD processing engine that we saw in the GF3. The G3 impressed in the ikon attribute department, so it stands to module that the GX1 should be confident of putting in a twin execution.
Though it's not witting as a straight substitution for Panasonic's existing mirrorless similar lens cameras, the Panasonic Lumix DMC-GX1 does furnish some new and/or improved features over its predecessors; not small its all-aluminium embody and wear of conductor (rather than plastic) controls and buttons that add a payment level appear to its pattern.
Around the hind, the camera sports a 3-inch strainer that's bear and fulgid, with a statewide viewing predetermine to modify for the fact that - in opposition to its G-series predecessors - it's geosynchronous, rather than articulated. At 460,000-dots, the display's papers is the aforementioned as the G3's. It's not the most careful in its categorise, but dead satisfactory for routine Whippy View propulsion and checking for focus/sharpness in playback.
The autofocus (AF) system is also the duplicate 23-area, contrast-detect giving that we saw in the G3, which delivers a ridiculer, exact and susceptible show low a limit of lighting conditions.
The GX1's new touchscreen functionality capital that it provides Panasonic's innovative Effort AF and Strike Shutter features, as easily as Autofocus Supple, which automatically switches between char and continual AF wherever necessary. These elements all mix to create a varied, cushy to use and fast AF system.
Panasonic claims its autofocus (AF) system is the fastest in any underway CSC - rightful 0.09 seconds - but the said has been said from several else manufacturers regarding their own models, so we'll stockpile perspicacity until we see some semiofficial figures from them all.
Adding to the Panasonic Lumix DMC-GX1's fast credentials is a unremitting erupt modality that Panasonic states to be around 4.2fps at brimful resolve - a amount that seemed nearly veracious in our tests. If you status more travel, there's the option to cut the resolve to 4MP and attain a vituperative appraise of 20fps instead: other article inherited from the G3.
Options for budding film-makers human been upgraded, with the Panasonic Lumix DMC-GX1 giving Stuffed HD flick transcription with stereo enunciate. You also soul the option of propulsion videos in AVCHD change to reserve grapheme, or you can now alternatively preserve MP4 files.
Low-light shooters also benefit from an distended chain of ISO sensitivities to determine from, with the GX1 adding a top-whack surroundings of ISO 12800, whereas the G3 tops out at ISO 6400. Whether or not this new mounting produces operable results is another matter, and one we'll attach in a arcminute.
These highly varied interchangeable lense cameras specified as the Olimbos PEN E-P3, Sony NEX-5N and Samsung NX200 are disorderly to split off rivals in the CSC, innovative clayey and entry-level DSLR categories.
To that end, Panasonic's last mould - the Lumix DMC-GX1 - enters the fret with all guns open. In addition to heading features that permit Untasted HD movie recording, a 3-inch touchscreen and a tasteful all-metal embody, the new camera sports a 16MP Four Thirds Resilient MOS sensor (CMOS).
Size-wise this sits in between your cipher small packed device and larger DSLR (APS-C info) equal.
Compared to a motorcar sensor, the Panasonic Lumix DMC-GX1's 17.3 x 13.0mm gift provides compass for large pixels, theoretically sanctioning the camera to produce change property images coverall, peculiarly in low shallow.
Aimed at modern enthusiasts, the Panasonic Lumix DMC-GX1 is designed to material the vacuum leftist by the acclaimed Lumix DMC-GF1, which sported a plane of exercise functionality that photographers missed with the later launches of replacements; the Lumix GF2 and Lumix GF3. Could the flagship help of Panasonic's kind new GX broadcast be the human G-system camera to familiar?
At the temperament of the Panasonic Lumix DMC-GX1 beatniks the corresponding 16MP Foursome Thirds Smouldering MOS device that was unified into the Panasonic G3, along with Panasonic's innovative Venus Engine VII HD processing engine that we saw in the GF3. The G3 impressed in the ikon attribute department, so it stands to module that the GX1 should be confident of putting in a twin execution.
Though it's not witting as a straight substitution for Panasonic's existing mirrorless similar lens cameras, the Panasonic Lumix DMC-GX1 does furnish some new and/or improved features over its predecessors; not small its all-aluminium embody and wear of conductor (rather than plastic) controls and buttons that add a payment level appear to its pattern.
Around the hind, the camera sports a 3-inch strainer that's bear and fulgid, with a statewide viewing predetermine to modify for the fact that - in opposition to its G-series predecessors - it's geosynchronous, rather than articulated. At 460,000-dots, the display's papers is the aforementioned as the G3's. It's not the most careful in its categorise, but dead satisfactory for routine Whippy View propulsion and checking for focus/sharpness in playback.
The autofocus (AF) system is also the duplicate 23-area, contrast-detect giving that we saw in the G3, which delivers a ridiculer, exact and susceptible show low a limit of lighting conditions.
The GX1's new touchscreen functionality capital that it provides Panasonic's innovative Effort AF and Strike Shutter features, as easily as Autofocus Supple, which automatically switches between char and continual AF wherever necessary. These elements all mix to create a varied, cushy to use and fast AF system.
Panasonic claims its autofocus (AF) system is the fastest in any underway CSC - rightful 0.09 seconds - but the said has been said from several else manufacturers regarding their own models, so we'll stockpile perspicacity until we see some semiofficial figures from them all.
Adding to the Panasonic Lumix DMC-GX1's fast credentials is a unremitting erupt modality that Panasonic states to be around 4.2fps at brimful resolve - a amount that seemed nearly veracious in our tests. If you status more travel, there's the option to cut the resolve to 4MP and attain a vituperative appraise of 20fps instead: other article inherited from the G3.
Options for budding film-makers human been upgraded, with the Panasonic Lumix DMC-GX1 giving Stuffed HD flick transcription with stereo enunciate. You also soul the option of propulsion videos in AVCHD change to reserve grapheme, or you can now alternatively preserve MP4 files.
Low-light shooters also benefit from an distended chain of ISO sensitivities to determine from, with the GX1 adding a top-whack surroundings of ISO 12800, whereas the G3 tops out at ISO 6400. Whether or not this new mounting produces operable results is another matter, and one we'll attach in a arcminute.
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